A dandy (also known as a beau or gallant) is a man who places particular importance upon physical appearance, refined language, and leisurely hobbies, pursued with the appearance of nonchalance in a cult of Self. Historically, especially in late 18th- and early 19th-century Britain, a dandy, who was self-made, often strove to imitate an aristocratic lifestyle despite coming from a middle-class background. Even in its origin, the dandy life was about more than just bourgeois tastes. The aestheticized lifestyle opened up a space of creative possibility, one where the dandy could perform his or her own persona, disrupting gender norms in the process. Today the dandy remains an influential figure in queer culture. Photographer Sophia Wallace, who captures modern dandies with her sharp-edged lens, capturing the strength and fierceness not normally associated with typical feminine beauty.
Wallace’s artist’s statement reads:
The dandy—conventionally defined as a strikingly attractive man whose dress is immaculate and manor is dignified—has been around since the late 18th century. Often misunderstood as superficial, the dandy is rather a space of creative possibility where men and women can perform a persona in ways that reach far beyond the narrow binary constructs of masculine and feminine. Indeed artists like Oscar Wilde, Charles Baudelaire, H.H Monro and less recognized women such as the American painter Romaine Brookes and her cohorts found Dandyism to be a liberatory space not only for appearance but more importantly, for a life of independence that did not necessarily adhere to a deterministic heterosexual model of marriage and children. Examples of modern dandies include Andy Warhol, Quentin Crisp, Grace Jones. My many years focusing on gender, race and constructions of beauty led me to dandyism as a radical position for art making and social critique. Indeed, dandyism’s subversive aesthetic of beauty disrupts normative gender in fascinating ways. Beauty is defined in almost all contexts as the domain of femininity which is commonly understood as frivolous, weak and passive. The dandy is neither traditionally feminine or masculine. Rather, the dandy is an aestheticized androgyny available to men, women and transgender individuals. Herein lies it’s power and it’s danger.